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“Beauty has awoken”
Combining the values of classical figurative sculpture with the storytelling power of the modern idiom, this beautifully observed piece creates a sense of calm and sanctuary.
The third in a series of bronze works, this piece showcases Angela’s fascination with the inherent sensuality of the female form, every detail inspired by her understanding of the naked form.
A sculpture capturing a state of peacefulness and calm in the female form
These stunning spoons can be purchased individually or as the collection of seven.
Each spoon is showcased in a bespoke stackable birch ply crate with interchangeable sliding panels in either tempered glass or birch ply (2x tempered glass & 2x birch ply) 20 x 90 x 30cm .
For pricing and delivery information please follow the link and complete the short enquiry form.
Photo Credit: Dewi Tannatt Lloyd
One of a series of small animal sculptures which epitomise Martin’s skill in crafting a narrative behind his work, drawing the observer into a story told through detailed research, observation and exquisite sculpting.
Every detail is considered and purposeful, the craftsmanship key in creating a sense of peace and serenity.
Each piece is sculpted at his studio in Carmarthenshire before being finished/cast at a British foundry.
Also available as a desk or interior piece.
Martin’s fascination with movement and balance is perfectly captured in this limited edition piece, showcasing his use of fine detail and surface texture to elicit a sense of strength, power and control.
Cast in bronze, every detail is perfectly judged to enhance and amplify momentum within the sculpture, the quality of the casting creating shadow and light as on a moving body.
Each piece is individually sculpted by Martin in his Carmarthenshire studio before being cast in a British foundry to ensure that the detail and quality of the sculpting is retained through to the finished piece.
This piece epitomises the simplicity of form and carved elements that are a signature of Wendy’s work and her fascination with geological formations.
Clay is carved to create the ‘natural’ folds on the surface of this piece, while the volcanic like texture is achieved by adding clay to a clay foundation and then carving into the clay surface. The natural look is amplified by adding several layers of glaze imbued with silicon carbide.
In the reference to the ancient standing stones of our ancestors. Connecting us with the standing stone of the ancients Brown colour?
The works are high fired and are suitable for any interior or exterior spaces.